At the beginning of 2018, art had surged to the front of the Knight Frank Luxury Investment Index (KFLII), which tracks the performance of ten luxury asset classes. Six months on, it is holding its own, with annual growth of 25 per cent to the end of June.
Given the US$450 million sale of Leonardo da Vinci’s Salvator Mundi last year, it is unlikely that we will see a new record price for a painting any time soon. However, in May, Sotheby’s did set a new company benchmark with an impressive US$157 million for Amedeo Modigliani’s sumptuous Nu couché (sur le côté gauche).
Delving beyond the 25 per cent headline figure – based on analysis of auction prices by Art Market Research (AMR) – it’s clear that not every genre is moving at the same pace. Contemporary art, for example, recorded a slight drop, while the market for Old Masters is making something of a comeback, with average prices rising by 24% over the past year.
“Since Salvator Mundi was confirmed as a lost masterpiece by Leonardo da Vinci, auction houses such as Christie’s in London, Dorotheum in Austria, Pandolfini in Italy and Lempertz in Germany have been embracing unattributed Old Master paintings,” explains AMR’s Veronika Lukasova.
“Unattributed works that are connected with stellar name artists, for example, ‘Follower of Canaletto’, can regularly achieve higher prices than some firmly attributed works by lesser artists. The uptick is undoubtedly having a knock-on effect across the whole Old Master market.”
Wine remains in second place in the rankings, with the Knight Frank Fine Wine Icons Index, compiled by Wine Owners, recording annual growth of 7 per cent. “This year has been about consolidation,” says Wine Owners’ Nick Martin. “Some of the more
expensive, older vintages are coming off their peaks, while others power ahead. Burgundy continues to defy gravity as it adds another 14 per cent in the year to date, compared with Bordeaux first growths at less than 3 per cent overall. Over three years, Burgundy has risen 85 per cent compared with 45 per cent for first growths.”
Following a shaky start to 2018, classic cars have raced back to take third place in the KFLII. Annual growth at the end of Q2 2018 stood at a respectable 6 per cent, according to the HAGI Top Index. However, H AGI’s Dietrich Hatlapa cautions against assumptions that this presages the beginning of another classic car bull run. “The market is still very cautious,” he says.
Really rare cars are still making good money, though. A Ferrari 250 GTO, sold privately recently, is reported to have made US$70 million, while RM Sotheby’s set a record for the most expensive car to sell at auction when it sold another 250 GTO (pictured) for $US48.4 million at the recent Monterey sales.